劍橋雅思11聽力Test4 Section3真題解析

考生在備考雅思聽力時，除了要多加練習(xí)，更重要的是練習(xí)后的分析和總結(jié)，為了便于考生更好的進(jìn)行聽力后的分析和總結(jié)，今天新通外語雅思老師為大家分享劍橋雅思11聽力Test4 Section3的真題解析，希望對烤鴨們有所幫助。

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劍橋雅思11聽力Test4 Section3：  【在線咨詢】

Question 21 & Question 22
答案：B D (in either order)
定位原文：scripts:
D: they‘d done quite extensive tours in different continents...
B: I wasn't specifically looking for artists who'd produced recordings, but this is something that's just taken for granted these days, arid they all had.
解題思路：They‘d done quite extensive tours in different continents 對應(yīng)選項(xiàng)D;后面提到recordings，以及they all had，對應(yīng)B選項(xiàng)。

Question 23 & Question 24
答案：A B (in either order)
定位原文：scripts:
JOANNA: I‘d thought it might ... it was all quite informal though and in fact they seemed very keen to talk. A: And I don't think using the phone meant I got less rich data, rather the opposite in fact.
B: if I was going to interview leading musicians it’d only be possible over the phone
解題思路：telephone interviews 定位后很容易聽到B選項(xiàng)。后面提到擔(dān)心錄音質(zhì)量，但是worked out all right，排除E;關(guān)于時間，提到至少半小時，有的會更長一些，所以排除D選項(xiàng);后面雖然說了stressful，但是又說受訪者很樂意交談，C排除。最后說我不認(rèn)為電話訪談獲取的信息少，選A。

Question 25 & Question 26
答案：B E (in either order)
定位原文：scripts:
JOANNA: …B: When I started I was more interested in trying to investigate the impact of what was worn on those listening, and also…E: whether someone like a violinist might adopt a different style of clothing from, say, someone playing the flute or the trumpet.
解題思路：抓住題干中的originally，因此錄音中的 when I started 預(yù)示著后面內(nèi)容為題目答案;后面提到 trying to investigate… 意為試圖調(diào)查著裝對聽聽眾的影響，對應(yīng)選項(xiàng)B;緊接著說了whether someone like a …意為是否一個小提琴手會從笛子或喇叭演奏者那里借鑒不同風(fēng)格的服裝，對應(yīng)選項(xiàng)E。

Question 27
答案：C
定位原文：scripts:
SUPERVISOR: You only had women performers in your study. Was that because male musicians are less worried about fashion?
JOANNA: I think a lot of the men are very much influenced by fashion, but in social terms the choices they have are more limited ... they'd really upset audiences if they stayed away from quite narrow boundaries.
解題思路：women performance 進(jìn)行定位比較簡單，女說男人更容易被時尚所影響，排除A;接著提到在社會規(guī)則下男人對服裝的選擇更有限，對應(yīng)C選項(xiàng)。

Question 28
答案：A
定位原文：scripts:
SUPERVISOR: Hmm. Now, popular music has quite different expectations. Did you read Mike Frost's article about the dress of women performers in popular music?
JOANNA: NO.
SUPERVISOR: He points out that a lot of female singers and musicians in popular music tend to dress down in performances, and wear less feminine clothes, like jeans instead of skirts, and he suggests this is because otherwise they'd just be discounted as trivial.
解題思路：B、C兩個選項(xiàng)都沒有被提及，提到女人穿牛仔服而不是裙子，她們穿裙子會不被重視，對應(yīng)選項(xiàng)A。

Question 29
答案：A
定位原文：scripts:
JOANNA: The subjects I interviewed felt this was really important. It's all to do with what we understand by performance as a public event. They believed the audience had certain expectations and it was up to them as performers to fulfill these expectations, to show a kind of esteem ...
SUPERVISOR: ... they weren't afraid of looking as if they'd made an effort to look good.
解題思路：audience at a performance 進(jìn)行定位比較容易，后面提到表演者要滿足觀眾預(yù)期，以示尊重;對應(yīng)選項(xiàng)A，esteem和respect是同義表達(dá)。

Question 30
答案：C
定位原文：scripts:
JOANNA: And I also got interested in what sports scientists are doing too, with regard to clothing.
SUPERVISOR: Musicians are quite vulnerable physically, aren't they, because the movements they carry out are very intensive and repetitive, so I'd imagine some features of sports clothing could safeguard the players from the potentially dangerous effects of this sort of thing.
解題思路：導(dǎo)師說的意思是因此我想體育服裝的一些特征能夠保護(hù)演奏者在表演過程中避免一些潛在的危險(xiǎn)，對應(yīng)選項(xiàng)是C。

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