雙語：2014年度十大最佳電影（TOP6-TOP10）

2014年度最佳電影TOP10 （1）：TOP6~ TOP10

10.Birdman 《鳥人》

Sixtyish actor Riggin Thomson (Michael Keaton) hates that he is remembered only for a comic-book movie hero, Birdman, that made him a star decades earlier. He figures that headlining and directing a Broadway play based on a Raymond Carver story will convince the world of his serioso chops. But when nearly everything goes wrong in previews, Riggin realizes he can trust only the Birdman voice in his head. Assembling a dynamite cast (Edward Norton, Naomi Watts, Zach Galifianakis, Emma Stone) and employingGravitycinematographer Emmanuel Lubezki to shoot the two-hour story as if it were one continuous take, director Alejandro G. Iñárritu turns a familiar backstage dramedy — say,All About EveplusAll That Jazztimes Fellini’s8½— into a spec-technical tour de farce. Keaton, who played Batman in two Tim Burton movies, locates Riggin’s frantic weariness, which could sag into suicidal defeat or ascend into mad apotheosis. Not to worry: the actor and the movie end up soaring.

60多歲的過氣男演員瑞根·湯姆森（邁克爾·基頓飾）討厭別人只記得自己扮演過漫畫電影英雄“鳥人”。他決定通過大力宣傳自己導(dǎo)演的百老匯舞臺劇來重拾昔日的輝煌。這部改編自雷蒙德•卡佛小說的舞臺劇在預(yù)演時進展糟糕，這使他意識到唯一可信的就是自己頭腦中的“鳥人”。該影片大腕云集，包括愛德華·諾頓、娜奧米·沃茨、扎克·加利費安納基斯和艾瑪·斯通。這部特技鬧劇由《地心引力》攝影師艾曼努爾·盧貝茲基拍攝，亞利桑德羅·岡薩雷斯·伊納里圖導(dǎo)演。主演基頓曾兩次在蒂姆·伯頓的影片中飾演“蝙蝠俠”這一角色，此番他在《鳥人》中完美詮釋了男主人公瑞根內(nèi)心的厭倦。這種近乎瘋狂的情感要么導(dǎo)致瑞根的自我毀滅，要么讓他成為瘋狂的全民偶像。你無需擔(dān)心，因為影片有個圓滿結(jié)局。

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9.Wild Tales 《荒蠻故事》

Passengers board a flight for which they have all received free tickets. Slowly they realize that their mysterious benefactor is a man named George Pasternak, whom each of them had wronged in some way — and that he is in the cockpit about to crash the plane. A hijacking story with a weirdly effervescent tang, this is the first of six short fables in an omnibus comedy from Argentinian writer-director Damián Szifron. Animosity simmers and boils hilariously in episodes set in a roadhouse diner, on the open highway, in a DMV office, among the corrupt members of a rich family and at a wedding ceremony where the bride learns her new husband has had affair with one of the guests. Produced by Pedro Almodóvar, and playing like a volume of short stories somehow coauthored by Ambrose Bierce and Roald Dahl,Wild Talesbuilds recognizable grudges into tales of apocalyptic revenge. It’s also the year’s most fearlessly funny film.

乘客們都免費登機后才慢慢意識到自己被騙了：提供機票的喬治·帕斯捷爾納克（里卡杜-達(dá)林飾）正坐在駕駛艙里準(zhǔn)備墜毀這輛客機。這個不乏歡騰搞笑的劫機故事取自于阿根廷作家達(dá)米安·斯茲弗隆寓言文集的第一篇。電影取景多樣，包括在公路邊的房屋里共進晚餐，在寬闊的馬路上馳騁，富豪家腐敗的成員們聚集一堂，婚禮上新娘發(fā)現(xiàn)新郎竟然與一位來賓發(fā)生戀情。該片由佩德羅·阿莫多瓦擔(dān)任制片人，刻畫了復(fù)仇路上的恩怨情仇，引人深思。影片還給觀眾一種讀安布羅斯·貝爾士和羅爾德·達(dá)爾合著的系列短篇小說的感覺，堪稱年度“最冒險”喜劇片。

 8.Citizenfour 《第四公民》

Calling himself Citizenfour, Edward Snowden sent encrypted email messages to doc filmmaker Laura Poitras that hinted at extraordinary revelations about the National Security Agency’s database on U.S. citizens. In a Hong Kong hotel room in June 2013, the Booz Allen IT analyst met Poitras and journalists Glenn Greenwald and Ewen MacAskill to spill his and his computer’s guts. The subject of this fascinating, edifying and creepy film has a nerdish star quality: poised and articulate, he’s also more than a little anxious. Snowden correctly anticipates what’s in store for him — official pariah status in the U.S. — and makes clear that the need for the public to know the range of NSA eavesdropping is worth the price he will pay. The glare of Poitras’s camera gives the young man a ghostly pallor; he could be a specter reaching out from the other side to warn the living. A true-life spy thriller and horror movie,Citizenfouris also history in the making: a portrait of a man at the very moment he chooses to enrich and darken Americans’ understanding of what their government knows about them.

自稱“第四公民”的愛德華·斯諾登將加密的電子郵件發(fā)給紀(jì)錄片導(dǎo)演羅拉·柏翠絲，揭露了美國國家安全局監(jiān)控美國民眾的數(shù)據(jù)庫，進而轟動全球。2013年6月，斯諾登在一家香港的賓館里與柏翠絲和《衛(wèi)報》記者格侖·格林沃德見面，全然吐露了“棱鏡門”事件的來源去脈。這部影片精彩又不失啟迪，但也讓人有些毛骨悚然。平靜鎮(zhèn)定和能言善辯的斯諾登在該片中顯得十分擔(dān)憂，展現(xiàn)了一絲“極客”的呆氣。他正確預(yù)測了自己將在美國政界遭受四面楚歌的命運，還清楚地表示，為了能夠讓美國民眾了解他們被國家安全局竊聽的范圍之廣，他付出任何代價都是值得的。斯諾登在攝像機的光下顯得幽靈般的蒼白，好似一個從另一個時空穿越而來，警示著蕓蕓眾生�！兜谒墓�民》不僅是一部真實的諜戰(zhàn)片，更是一部正在發(fā)生著的歷史。它刻畫了一個男人，在關(guān)鍵的節(jié)點義無反顧地選擇了曝光政府行為。斯諾登的選擇，讓每個美國人明白了政府實際上有多“了解”他們，并跌入了失望的深淵。

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7.Nightcrawler 《夜行者》

“Think of our news,” says a producer at an L.A. TV station, “as a screaming woman running down the street with her throat cut.” Lou Bloom, a freelance news cameraman played by Jake Gyllenhaal with the smiling stare of a deranged Boy Scout, takes that advice and shoots video of grieving widows, home-invasion casualties and human roadkill. You want to see this stuff, up-close and purple, do you not? Lou’s the guy who gets it for you. Imagine Travis Bickle fromTaxi Driverworming his way into Paddy Chayefsky’sNetworkand you have writer-director Dan Gilroy’s ’70s-going-on-right-now mix of psychological portrait and media satire. Prowling an after-dark L.A. brought to gorgeous, menacing life by ace cinematographer Robert Elswit, Gyllenhaal ratchets down his usual fretful-puppy winsomeness to create an ornate, eloquent vessel for Lou’s hollow charm, careering zeal and pestilential value system.

“想想這個新聞”，洛杉磯電視臺的一個制片人說道，“一個被割喉的女人一邊尖叫，一邊在馬路上狂跑”。盧·布魯姆(杰克·吉倫哈爾飾)是個自由攝影師，他看著制片人，臉上浮現(xiàn)著空想家般的微笑，同意了這個提議，開始報道洛杉磯地下犯罪活動，像是悲傷的寡婦背后的故事，入室盜竊的傷亡情況以及路邊殺人案。你想看看這種體裁的故事嗎？盧·布魯姆給你提供了這個機會。導(dǎo)演兼編劇丹·吉爾羅伊混合了70年代的心里描繪手法和對媒體的諷刺，一流的攝影師羅伯特·艾斯威特帶你去看夜晚的洛杉磯是怎樣的危險刺激，而吉倫哈爾不同于通常的迷人形象，詮釋了一個充滿職業(yè)狂熱、有這瘟疫般價值觀的空洞靈魂。

 6.Jodorowsky’s Dune 《佐杜洛夫斯基的沙丘》

In sweeping gestures and urgent broken English, Alejandro Jodorowsky exclaims, “Movies have heart —boom,boom,boom! Have mind [he mimes lightning bolts from his brain]. Have power [he points to his genitals]. Have ambition! I want to do something like that. Why not?” At 84, four decades after he prepared a hallucinogenic adaptation of Frank Herbert’s science-fiction novelDune, the Chilean-born Mexican director is still heartbroken that the project died when his producer came up $5 million short on the $15-million budget. A few years later, George Lucas spent $11 million makingStar Wars, and the fantasy-film genre went retro instead of luxuriously wacko. Doc director Frank Pavich buttresses his profile of the still-vital and charismatic Jodorowsky with contributions from the oldDuneteam, including writer Dan O’Bannon and concept designers Chris Foss and H.R. Giger (all of whom world work on Ridley Scott’sAlien). The message to take from this love letter to the cinematic ambition of the ’70s: movies once had brains and balls, and lost them.

亞歷桑德羅·佐杜洛夫斯基一邊用手比劃著，一邊用蹩腳的英語急切地講道，“電影是有心的，砰砰砰在跳動；電影有思想，有力量，有野心。我就想制作這樣一部電影”。這位出生于智利的墨西哥導(dǎo)演已84歲高齡，仍惋惜四十年前制作人因缺1500萬美元預(yù)算而放棄拍攝《沙丘》，這部改編自弗蘭克·赫伯特科幻小說的驚天巨作。幾年后，喬治·盧卡斯斥資1100萬美元打造《星球大戰(zhàn)》，科幻電影卷土重來。紀(jì)錄片導(dǎo)演弗蘭克·帕維奇聯(lián)手《沙丘》制作團隊，包括作家丹·歐班農(nóng)、概念設(shè)計師克里斯·福斯和吉格爾（這些人都參與過《異形》拍攝），塑造超凡魅力的“佐杜洛夫斯基”形象。他從70年代延續(xù)至今的電影野心告訴我們：電影曾經(jīng)兼有智慧和勇氣，但如今已不復(fù)存在。

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